a friendly reminder
ilgesys
Greta Kaluževičiūtė
Greta Kaluževičiūtė is a Lithuanian writer and amateur photographer. Her work explores intimacy, proximity, and the psychological tension embedded in everyday encounters. She is also a psychoanalytic researcher and holds a PhD in Psychoanalytic Studies from the University of Essex, UK.
Leinwand: Wien 103
Max Cavitch
Max Cavitch is a photographer, writer, and teacher in Philadelphia. His photographs have been published in periodicals including Al-Tiba9 Contemporary Art, Amsterdam Quarterly, Atlantic Northeast, Blue Mesa Review, Denver Quarterly, Feral: A Journal of Poetry and Art, F-Stop Magazine, Hole in the Head Review, The Journal of Wild Culture, L’Esprit, Moonday, Phoebe, Politics/Letters Live, Radar Poetry, and Salt Hill Journal; and his work has been most recently exhibited at the Art Room Gallery, the Biennale di Senigallia, the Blank Wall Gallery, Boomer Gallery, the Chania International Photo Festival, Decode Gallery, the Glasgow Gallery of Photography, the Griffin Museum of Photography, Praxis Photo Arts Center, and the Ten Moir Gallery. In April 2025, his first solo exhibition, featuring works from his series “Leinwände: Wien,” was mounted by Decagon Gallery. Since 2019, he has been a contributing photographer for the public science project iNaturalist, and in 2024, he was elected a member of InLiquid. His work is currently represented by Haze Gallery (Berlin) and Artsy.net. He also reviews photography books for Float, F-Stop, and Musée. His Instagram handle is @maxcavitchphoto.
Verifed
Suhjin Chey
She is a sophomore at Seoul Scholars International with a strong interest in how emotions—particularly fear and anxiety—can be expressed through visual language. For her, art is a quiet and reflective process that helps her observe and translate subtle shifts in her inner world into imagery. Her desire to make the invisible visible extends naturally into related fields such as fashion and architecture. She is drawn to exploring how form, space, and design can carry emotional weight, and she hopes to continue developing her unique perspective through interdisciplinary artistic expression.
Minimalist Complexity IV
Minimalist Complexity II
Michael C. Roberts
Michael C. Roberts is a retired pediatric psychologist and professor. He has digital and film photographs in Burningword, The Canary, The Storms, FERAL, Cholla Needles, Cantos, The Healing Muse, Cold Moon, Right Hand Pointing, Door is a Jar, Camas, Hindsight, Straylight, Thimble, Ponder, Closed Eye Open, Alchemy Spoon, 3rd Wednesday, The Right Words, Cardinal Sins, Human Obscura, Blue Mesa Review, The Word’s Faire, and elsewhere. In his recent photography, he has been exploring minimalism as projection and abstraction. The simplicity of minimalism reduces both nature and the human-made to their basics, revealing the essential beauty in structure and form. Although austere, these silhouetted images of nature allow the viewer to appreciate the world’s simple complexity and basic beauty.
The World Ended in Medford Yesterday
The World Ended in Medford Yesterday
Carston Anderson
Carston Anderson is currently a graduate student in Boston, Massachusetts
Material Landscape
Scale Invariant
Kyle Selley
Kyle Selley draws with explosive residue. Explosions and their indexical marks are naturally celestial, producing tactile residue that echoes stellar formations. Across scales, he’s found patterns of residual dust, energy radiating outward, order surfacing through chaos, and fractals emerging. Combustible material inscribes scale-invariant traces. He guides it, but this medium expands mark-making beyond what his hand can do. There’s tension between control and volatile chance, between what he intends and what the material insists on. Chaos theory and emergence theory describe principles that govern supernovae and fireworks alike. The work collapses cosmic distances to a human scale, making stellar nebulae accessible for close investigation—residue as primary content. Selley reframes the explosion as contemplative echoes rather than spectacle. What was cosmic becomes intimate. The viewer sits inches from what resembles light-years, examining the same dust and patterns that govern stellar birth.
