Sookoon Ang

July 2019 | visual art

Exorcize Me II

 

Sookoon Ang

Sookoon Ang is an artist living and working in Singapore and Paris. Her work centers around intangibles and their co-existence with the rational world. The artist has consistently and precisely built a body of work produced in response to the transient nature of existence. Her association of seemingly contradictory materials and ideas poetically approaches problems of pictorial space and sculptural presence, often by engaging nuanced but transformative production techniques to create objects at the edges of comprehension. Her work has been exhibited internationally in Palais de Tokyo, Art Basel Hong Kong, International Film Festival Rotterdam, International Short Film Festival, Oberhausen, and Fribourg International Film Festival. Sookoon Ang’s nearly 2 decades long art practice has also provided her the catalyst and milieu for her new feature documentary on the livelihood of contemporary artists which premiered in International Festival of Films on Art in Montreal.

Harold Olejarz

July 2019 | visual art

Ardtornish Sheep

Sunflower

George Washington Bridge

Harold Olejarz

Harold Olejarz began his career as a sculptor. He worked mostly in wood and created wood sculptures ranging from waves to figural sculptures inspired by Greek sculpture. In the 1980’s he exhibited in and participated in managing the only Soho Cooperative gallery dedicated to sculpture. Later, he turned to Performance Art and created wearable sculptures. He installed himself, as a work of art, in museums and public spaces across the country. Articles about Olejarz’s performances appeared in many newspapers and were featured on TV news programs, including NJN and WOR in the New York area. He even made the cover of the NY Daily News. Olejarz’s art has been exhibited in numerous galleries and at the New Museum in New York and The Newark Museum, The Morris Museum and The Jersey City Museum in New Jersey. Olejarz was awarded a public art commission by NJ Transit. For this commission he created two etched glass block windscreens, that are installed at the Pavonia/Newport Light Rail Station in Jersey City. Image manipulation has fascinated Olejarz since 1990 when he first explored image manipulation with early digital tools like ColorIt! and early versions of Photoshop. Born raised and went to two colleges in Brooklyn, NY. Brooklyn College, BA, 1975; Pratt Institute, MFA 1977. He now lives in Tenafly, NJ

Linda Briskin

July 2019 | visual art

SkyOceanBirds ii

 

Linda Briskin

SkyOceanBirds is in the tradition of surrealism which appreciates idiosyncrasy, juxtaposition and contradiction. Surrealism challenges the boundaries between the normal and the fantastical, promotes the unexpected combining of found objects, and embraces dreamscapes and imagery emerging from the subconscious. Linda Briskin is a fine art photographer who lives in Toronto and Palm Springs (CA). She has ever-shifting photographic enthusiasms, what she calls photoglossia: the juxtaposition of objects and reflections; the ambiguities in what we choose to see; and the permeability between the remembered and the imagined. Photocollage constructs unique and painterly images layered with nuance and narrative which both embrace and displace the original images. Her focus is often on inventing images rather than capturing them, an approach that is fictive rather than representational. In 2018, Briskin was selected for The New Feminist Gaze at Simeon Den Gallery in California. Her photograph Motorcycle Women was published in Best of Photography 2018 by Photographers Forum. Three photographs from her series aqua botanica are forthcoming in Tiny Seed Literary Journal (2019). Recently in Toronto, she had a solo show at Helen & Hildegard Apothecary as part of the Junction Contact Festival and a window installation at Rapp Optical. She has also participated in several group shows including Spectra at Gallery 1313 during the 2019 Contact Photography Festival. Upcoming is Luminous, a group show of ten women photographers at the Heliconian Club in Toronto.

Kathy McConnell

April 2019 | visual art

Frozen Fog and the Beer Can

Road North

 

Kathy McConnell

Kathy McConnell is a writer and photographer who lives in the woods of Washington state. Much of her photography for almost thirty years was documenting the play of children, but since moving to a cabin some miles from town, her primary subjects are found along back roads and in nature. Following the death of her husband in 2011, she traveled for seven months, honing the skills of a good eye and writing a blog. Her work on a manuscript, whose topic was mapping grief, earned her a writer’s residency in the San Juan Islands. The manuscript was shortlisted in the 2017 Pacific Northwest Writer’s Contest. Kathy lives with her border terrier Lizzie, writes a guest newspaper column inspired by her photos, and in winters like this one, shovels snow.

Greg Headley

April 2019 | visual art

Correct Blue

Correct Blue

Flood Reflection

Flood Reflection

The Edge

The Edge

 

 

Greg Headley

Greg Headley is an artist, photographer, and writer in Austin, Texas. His artwork and photography explore where intention and randomness intersect and the ways that chance can influence and even change the course of the work.

Catherine Roberts Leach

April 2019 | visual art

Surface Tension 1

Surface Tension 1

Surface Tension 2

Surface Tension 2

 

Catherine Roberts Leach

Catherine Roberts Leach was born in New York City and lived and worked in Los Angeles before moving to Santa Fe, New Mexico. Her fine art photography has appeared in solo and group exhibitions in galleries across the United States from New York, D.C. and New Jersey, to Georgia, Virginia, and Texas, to California, Oregon, and New Mexico. Her work has been juried into competitions by such art notables as Chris Burden and Ruth Weisberg. Images by Ms. Leach have also been published in numerous print and online publications, including, at the request of Yoko Ono, on the cover page of her website, imaginepeace.com. A self-taught artist, Ms. Leach focuses on seeing improbable combinations that others may miss. She captures unusual surfaces, light and shadow, wet and textured surfaces, and the juxtapositions of nature and the built environments. Her photographs are digitally captured, but the content is never manipulated. She appreciates most the times when her images look created, but are, in fact, the complete truth.