The Department of Otolaryngology

The perpendicular marks on the carpet,

Below my blistered boots, mark my path to this

Place of auditory affirmation.

The noise from the tv tells me to stop

The silence and listen to

Talking mocking teething media personalities:

I feel the hereness of hearing and for this reason,

All is perfect.

 

The questions my mind beckons to

Consciousness are neither new nor old but

Persistent: this steadfastness feels normal—

A salutation of life and auditory awareness.

 

The fortunate falls we face and fear

Hear no cries of regret but rather,

Cries of confidence that propel new-

ness and resilience.

Like the spindly carpet from the waiting room floor,

I stand still and sally my silent awakening.

 

Joey Kim

Joey Kim is a Ph.D. student in English at Ohio State. Her research interests include British Romantic poetry, Romantic Orientalism, gender and sexuality, and postcolonial studies. She is particularly interested in the intersections of theories of sexuality and Orientalist literatures. She earned her MA in English literature at Ohio State as well, and is currently reading for her PhD candidacy exams.

Natural Causes

In dusty houses

with sallow shades

floating ghostly

past books, pictures,

broken furniture

 

unconnected

disengaged

 

Functional rubble

of teeth, knees, hips,

skipping the charters to Branson,

afternoon performances

of Hamlet

 

writing in their journals

how the view from the end of the road

mirrors the view from the beginning:

a thoughtless line

vining to mind,

a heart of treetops,

vanishing unsurprised

through the floorboards.

 

Craig Evenson

Craig Evenson is a school teacher.  His poems have appeared in such magazines as Lalitamba, Midwest Quarterly, and Common Ground Review.  He lives in Minnesota.

Less Shiny

i was born a year and a half after he died
a little baby boy allotted eight hours of fresh breath
a slap in the face to my mother who carried him for nine months
who would’ve given up a lifetime of breaths
to save his

they say i am made of stardust
particles from the universe, the very matter
from a now dead star forms my raggedy bones
that i carry around
and berate
and criticize
and abuse

my grandmother left her house
knowing she’d turn black and blue
when her mom found out that she crawled out the window
to give my grandfather one last kiss
before he left for the war

when i was two i jumped into a pool of water
at a party for grown ups when people were laughing
and not watching the now disturbed cold water
and some man jumped in that didn’t know me
in all of his clothes
saved my life

and it’s interesting, so interesting
to think of the boy – what’s his name?
who left me in the dark during that tough time
and how i thought my life no longer mattered
because when you think of the stardust,
the baby, the swimming pool,
my grandmother, the war,
the boy seems a bit less shiny,
don’t you think?

Monica Simon

Monica Noelle Simon is a poet, writer and marketing professional from Scranton, Pa. She is the creator of Poets of NEPA. Her writing has been published on Elite Daily, Poets of NEPA, and HelloGiggles.

Fission

You grow a beard, check the mirror,

notice you are forty years old, the next

morning, you shave it off, find you are

 

sixty. But life is like that, suddenly

everyone you know is dying and they

still visit with your back turned to them.

 

One day, you took the school bus

and you earned a gold star for answering

the last question right. Now, the nurses

 

on night duty ask you something which

you can’t open your mouth and respond to.

All you know is that someone switched

 

off the light and you don’t know how.

 

Lisa Zou

Lisa Zou is a student in Arizona. Her writing has been recognized by The Poetry Society of UK and the National YoungArts Foundation. Her work has been published by the Sierra Nevada Review.

Let the Bombs Fall

Let the bombs fall
Let the princes seize power
I’m too tired to stop them
I’m too weary to care
I’ve eliminated evolution from my own ambitions
It’s a bad day
When you can no longer dance
To your own tune
For sophistication has suffocated in the ashes of the banal
And trepidation has triumphed
When we were up against the big dogs
And charity lacked the right tone to spur us
To stand up and be counted down
Since all that was needed was the compliance of good people
For the slaughter of countless millions
Because we’d forgotten the math
In our assumption that truth will out
And our shelving of responsibility
When the cutlass is drawn and barbarians
Are through the gates
Hacking at your ankles
With the merciless stupidity of impatient humans

 

Josef Krebs

Josef Krebs’ poetry appears in Burningword Literary Journal, Agenda, Bicycle Review, Calliope, Mouse Tales Press, The Corner Club Press, The FictionWeek Literary Review, and Crack the Spine. A short story has been published by blazeVOX and a chapbook of his poems will be published soon by Etched Press. He’s written three novels, five screenplays, and a book of poetry. His film was successfully screened at Santa Cruz and Short Film Corner of Cannes film festivals. The past seven years he’s been working as a freelance writer for Sound&Vision magazine having previously worked at the magazine for 15 years as a staff writer and editor.

Lindsay McLeod

Swing

 

Spilt and splashed down

here in the low life,

wild electric blue

blanketed eyes,

ham cameo role on

the gallows pole,

wrapped up whole

in the scarf of the sky,

open closet of bones

sounds a wind chime,

while a barbed wire

snare smokes a lung,

watch me dance on

hair trigger corrections,

plunge from life’s

unsolicited tongue.

 

 

PLATEAU

 

Given the high percentage

of supernatural compression

during the inception of a

catalytic chemical relationship,

why do we act so surprised when

the alcohol makes us hungover,

the cigarettes make us wheeze

and the chocolate makes us fat?

 

Why do we act so surprised when

the froth and fizz subsides and

reality staggers through the door

out of breath, plonks on the bed

kicks off its smelly old work

boots and gasps, ‘Christ, this

fucking Honeymoon is killing me!’

 

Lindsay McLeod

Lindsay McLeod trips over the horizon every morning. He has won several prizes and awards and stuff for poetry and short fiction and published his first co-authored poetry collection, My Almost Heart, in 2015. He currently writes on the sandy Southern edge of the world, where he watches the sea and the sky wrestle for supremacy at his letterbox. He prefers to support the underdog. It is presently an each way bet.