January 2014 | back-issues, poetry
An Unknown Prophet’s Complaint Regarding
the Tardiness of the Messiah (c. 200 B.C.)
The milk has soured. The honey? Gone.
The widow’s oil has all run out.
The glory that you promised us
left in the night like Pharaoh’s son
while we ate bitter herbs.
When we took wives and lay with them
you punished us because their blood
Was Philistine, but what grave sin
Did we commit that you would send
This storm of hollow rain?
You carved your name into our hearts,
Like boys will do in sycamore,
But wood is scarce, and that tree limb
And all our swords became the tools
We use to scratch the earth.
If sacrifice began again
And blood and flesh were placed upon
The holy fire, would all that smoke
Climb Jacob’s stairs to only find
That you had locked the door?
“How long, O Lord?” the prophets ask,
But we have lost all track of time.
Instead of days, we measure life
By promises left unfulfilled
And wounds that cannot heal.
So take your time deciding how
You’ll save us all—a flood, a fire,
A brimstone rain—and while we wait
Perhaps we’ll find just what it is
That we need saving from.
by Jason Leslie Rogers
Woodpecker
I stand with an unfocused stare
at the ground and the bleeding bird,
surprised by my aim and the weight
of the gun pulling down my right arm,
surprised by the woman who runs
from the porch at the front of her house.
I saw you she says through the tears
in her throat as she points at my feet
where the woodpecker lies.
I saw you she says looking down
at her wrinkled bare feet
through a gap in her pale spotted hands.
I saw you she says looking up
at the hole in the pine tree
the red-crested father had bored
while she listened and watched and
smiled through the first weeks of spring.
I retreat to a home full of ignorant faces,
to a lunch of sweet tea and the cold
meat of birds, while deep in some pastoral
hell the bleats of unseen lambs echo
and King David remembers Bathsheba.
by Jason Leslie Rogers
The Rain Comes
Inside your four walls,
the first rumble sounds
and you ask those nearby
if they heard it too.
Out of doors, if you have the gift,
there’s a smell, a thickness
in the air, just before
it hits the ground around you.
Inside, alone, the white noise
pulls words from your mouth,
“Here it comes,”
you say in hindsight.
Outside, the cold droplets
move toward your planted feet.
Like locusts, they’ll bring change
To everything they touch.
by Jason Leslie Rogers
Jason Leslie Rogers lives in southeast Tennessee with his wife and daughter. He will graduate in December 2013 with a B.S. in Liberal Studies, writing and literature emphasis, from Lee University. He has not previously been unpublished.
January 2014 | back-issues, poetry
cœur de pirate
do not fall for a boy with a pirate heart, even if he will
cross five thousand miles of sand and ocean to be with you,
carrying nothing more than loneliness and longing in his cargo hold.
those things will bond you both together like an oath, but
blood is thicker than water and soon, the promises will weigh you down
like rocks in your pocket, keeping your lungs and heart empty.
he will not stay, something will always call him away in the morning,
even after you’ve spent the night wrapped in his strong arms,
counting the stars from the undersides of the highest sail.
you will listen to his stories, for they will stretch beyond the decks
of his ship and make you feel both empty and full at once,
but you cannot rely on a tattooed smile to forge you a key to the world.
eventually, he will leave you on stranger shores, soaking and breathless,
wondering when the next tide will bring him close to you again.
but you are not a wench he found bar-side, never call yourself that.
you must be unpredictable and wild as the sea itself, bottling storms
into your heartbeat and braiding a barrier reef into your hair.
you are calypso, dangerous and beautiful and unyielding,
and if he comes back ten years from now to set foot on the shore,
you will not be waiting. you cannot always be waiting.
he might tell you he loves you. but even then, he is only speaking
about the seventy percent he is familiar with, the part that is pulled into
rises and falls by the moon, a dna sequence patterned by the earth itself.
do not answer him. steal his ship by sunrise instead and plan to follow
the treasure map that you’ve long since forgotten. never come back.
leave him with a seashell at his side and he will remember at last
that the reason he loved the ocean was because it sounded like you.
by krista kurisaki
dancing on fault lines
i am not the girl your mother warned you about.
you know, the one with the pierced lip and a glare
that could start a fire during the monsoon season.
the girl whose arms are inky wings entwined with
weeds and paper chain reminders of past loves.
the girl whose name tastes like smoke on your lips
and whose report cards are littered with the one
letter that begins her most favorite swear word.
i am not the girl your mother warned you about.
the only relics that i carry on my body are scars
from playgrounds that kissed me back too hard.
my lungs consist of both words and silences,
neither of which i have found a way to control.
i am a few inches short of dangerous and about
nineteen years wiser than a pack of cigarettes.
your mother warned you about the girls who
are hurricanes, that will see your body as a stone
they can toss across the oceans without a second
glance. hearts going seventy miles an hour have
no time for regret. but there is always a sign
or a season that brings them; each one you meet
will be mapped out on a list of broken promises;
hazel, audrey, katrina. they won’t let you forget.
but i am not a hurricane; i am a california earthquake
with a 7.8 on the richter scale of volatile personalities.
i will come without warning and dissolve the earth
into dust under your feet. there will be nowhere for
you to hide; your body will unravel into war with itself,
and your mother, wide-eyed, will wonder why you
let me in. but i know better. she taught you to train
your eyes to the sky when not even a seismograph
could pick out a heartbeat buried 1800 miles deep.
by krista kurisaki
Krista Kurisaki is a nineteen-year-old California native, currently falling in love with the world and wishing she could see more of it. she spends her days singing Beatles songs and facing reality, but keeps a pen close to her bed by night. find her across the universe at http://flythevinyl.tumblr.com
January 2014 | back-issues, poetry
I don’t sleep anymore.
And when I’m on the train
I look up the tall woman’s
skirt and find an outlet
I don’t have the correct
connection to plug into.
Man stares at something
long enough to kill it;
he hunts for things not his
own, and, underserving,
greedy for their teeth—
their particular song, a luster—
spoils just about everything
along his way. And the car
goes dark, jingles a little bit
before it goes silent, before
the recorded announcer
announces to be careful,
that it might begin to rain.
by Britt Melewski
Girl #275
I will run my car
For eleven years straight
Into a concrete abutment
To keep you inside me
For another minute I will
I will do anything
You ask me so please
Ask me what colors make up
My love ask me
Which is my favorite flavor
Of whip my obsession
Is ketchup please
Not you you are different
when you call me
Baby I melt into a paste
That you can spread
I am somebody not only
Some body but the one
You swallowed skinned
Strawberry the one
Who held your fist
And cracked your knuckles
While I kissed you
I did I kissed
You your shoulder
With its wealth of muscle
And salt I replay it
Now I replay it to
Your song replay
Repose our mouths
Our bodies coming
Together bones flesh
Secrets creaking in song
by Britt Melewski
Inmate #386426
When they first brought you to jail,
you were bound to the black chair on wheels
with its sheen straps—the squeak it makes
while it glides across the bleached linoleum
at intake.
When they tied the mask clasps
around your neck, they bore witness
to your chalky breath—the knot wound
tightly across your pulse.
But in your torn Nirvana
T-shirt, and beekeeper eyes, you shrugged
and allowed them each their job.
by Britt Melewski
January 2014 | back-issues, poetry
At the end of the beach
where rocks are impassible
and sea unswimmable.
I am the passively standing stone
points extended into the waves.
Weathered in daily battle
knowing stoically the war is lost with time.
The ocean is immortal
but sand is boulders defeated.
The water swirls and shakes me.
At the end of the beach
with dead pelicans pealed open.
Crows and seagulls gleeful
dripping citrusy flesh fruit.
by Josh Bliek
Joshua Bliek is a literature student in his local community college. Although previously unpublished, Joshua is optimistic about his future as a poet and a critic and works daily towards developing his own unique voice.
January 2014 | back-issues, poetry
Two censuses back
Our home held three:
An infant was added
To you and me.
A census ago
We counted more:
Persons in household
Numbered four.
This latest census
Our data was new:
Three residents remained,
But where were you?
by Barth Landor
Barth Landor has had poems in Clapboard Journal, Spectrum, Inscape and Grey Sparrow Journal (named the Best New Literary Journal of 2011-2012). His poem ‘Tree’ was a finalist for the Montreal International Poetry Prize in 2011, and the online journal Lowestoft Chronicle published two poems in 2012, including ‘Grotte de Niaux’, nominated by them for a Pushcart Prize.
January 2014 | back-issues, poetry
Weird Scenes Beside the Chevron
The two next to
the blue dumpster
cradling drums
of Steel Reserve,
greasy with worry
– you’ll find them anywhere
When we slow down for gas and caffeine
It’s the defiant palms I’m looking at
a second time, in towns
with names I’ll never know, settled
around redundant strip malls
blistering along the Pacific Coast Highway
These wild-haired beasts tower, they loom
We admire them on TV from afar
but, slashed through with their shadows,
we’re reminded of sands
slipping quickly through an hourglass
of some Endless Summer’s possibility
This holdover Boomer hokum persists, somehow
even while actual people live, here,
walk to work here, buy milk, here,
guzzle malt liquor next to dumpsters, here,
give up on whatever dream we could name, here
I turn my eyes straight ahead- the road, turning the key
by Chris Middleman
Arc of Dreams
Each time I sold Donald Passman’s
All You Need to Know About the Music Business
I saw the copy as a perfect-bound totem;
Here was another set of bloodletting parents
financing their gauge-eared Meredith’s
vague Vans-sponsored notion
of graduating to a stage where action
burns brightly; a stage shared by heroes
where she could act out her love
The love, of course,
never turned out to be creating, or
even helping finance good art;
nor was it a taste for dismantling a system
stacked so stupidly against vision
One way or another, at rainbow’s end
was typing mass PR emails,
answering phones for deceiving dinosaurs
wearing t-shirts instead of suits,
sitting in on “rap sessions” discussing the
optimization of monetization of YouTube clicks
While never having listened to Television
Never having heard Cybotron
Never getting played on freeform FM
Never getting crowned a hero by some kid
after a show, in a parking lot, at the bar
And one day, she’ll have to bow out
of the all the excitement of free merch,
festival passes and promos
for the birth of her little Emma, whom
one day, shall be enrolled in the School of Rock
by Chris Middleman
And in NPR, We Are Redeemed
A sheep rancher whispers into a
microphone held out in some dappled pasture
that the United States lost its taste for mutton
after so many canned rations were slavishly
gobbled during World War II; we dress ourselves
in December with a mess of shredded Sprite bottles
Though the market seems to have
bottomed out for this man whom the mind’s
director casts as an epileptic caterpillar of a
moustache wriggling beneath a brown-brimmed hat,
the hope is that immigrants and parents
in poorer neighborhoods that can’t afford
the food they prepare at work could be enticed
to make mutton a staple of their diets
With parting clouds, the dollar value of
this potential market is recognized
and we finally understand them as human
by Chris Middleman
