Jim Ross jumped into creative pursuits in 2015 after a rewarding career in public health research. With a graduate degree from Howard University, in eight years, he’s published nonfiction, fiction, poetry, photography, hybrid, interviews, and plays in nearly 200 journals on five continents. Photo publications include Alchemy Spoon, Barnstorm, Bombay Gin, Burningword, Camas, Feral, Phoebe, Stoneboat, Stonecoast, and Whitefish. Text-based photo essays include Amsterdam Quarterly, Barren, DASH, Kestrel, Ilanot Review, Litro, NWW, Paperbark, Pilgrimage Magazine, Sweet, and Typehouse. He recently wrote/acted in a one-act play and appeared in a documentary limited series broadcast internationally. Jim and family split time between city and mountains.
Holly Willis is a hybrid artist/theorist working primarily in film, video, and still photography. Her work often examines the materiality of the image within a broader context of new materialist philosophy and the histories of experimental film, video, and photography with the goal of designing encounters with media that spark an embodied sense of curiosity and wonder alongside critical reflection about our relationship with the matter around us.
Featuring:
Issue 118, published April 2026, features works of poetry, flash fiction, short nonfiction, and visual art by Carston Anderson, Jack Bordnick Studio, Kenneth Boyd, Brian Builta, Robin Carstensen, Max Cavitch, Suhjin Chey, Lucinda Cummings, Jason Davidson, Greg Freed, Sharon Goldberg, Dara Goodale, Jane Hammons, Caroline Hayduk, Ken Holland, Dylan Hong, Michael Hower, Greta Kaluževičiūtė, Brian Kim, Minjae Kim, Matt Leibel, Scott Nadelson, Rina Park, Scott Penney, Michael C. Roberts, Jim Ross, R James Sennett Jr, Mia Sitterson, Dawson Steeber, Travis Stephens, Daniel Thompson, Josje Weusten, and M. Brooke Wiese.
48 Pages, 6 x 9 in / 152 x 229 mm, Premium Color, 80# White — Coated, Perfect Bound, Glossy Cover
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