Chris Dungey is a retired autoworker in Michigan. He rides a mountain bike to work on his fupa and a Honda Ruckus for the planet. More than 160 of his poems have found publication in litmags and online, most recently in Thimble Lit Mag, Penman Review, Argyle Review, and Macrame Review.
get their steps mixed up and then forget to salute.
When I was a child, everybody had a doll
with a big crocheted skirt to hide a roll of toilet paper.
Yes, the toilet paper doll. That’s how I learned not to
love my belongings. Who needs a clock striking
and striking, new doeskin gloves. sad little parodies
of dress-up clothes? That blood in my urine. I like
to think it’s just an infection, something slipped into
my body. Decades ago the tip of a Foley catheter bounced
in my bladder for three years. A nurse didn’t notice it
when she smoothly pulled out the catheter. It was bad luck,
not some lost battle. I got the crumbs that slid off a table.
I got the duck bone, white in my broth. The forecast is
healing. I admit that’s only a theory, a grasping at straws.
But there’s no need to wash my hands of hope. I read
about a tornado, fires in New Mexico, smoke moving east.
l get it. I’ll breathe till I stop that breathing, turn to what’s
blooming, put purple blossoms into my hands. The dirt
smells like rain and pine fronds. Just beyond there’s a dune
and the salt-sand. Wind keeps shaping it. Spindrift froths up.
Barbara Daniels
Barbara Daniels’ Talk to the Lioness was published by Casa de Cinco Hermanas Press. Among her other books are Rose Fever: Poems and four chapbooks: Moon Kitchen, Black Sails, Quinn & Marie, and The Woman Who Tries to Believe. Her poems have appeared in Good River Review, Neologism, Rust & Moth, Lake, and elsewhere. She received four fellowships from the New Jersey State Council on the Arts.
Carella is a writer and digital artist who splits her time between the ethereal world of dreams and Toronto, Canada, depending on the weather. Her work involves themes of mental health, nature, and sexuality, often in a surrealist tone. Many of her short stories jigsaw together into a magical realism narrative, and she is currently working on the connective tissue for a fiction collection. Her debut poetry collection, Undercover Butterfly, was published in May 2026 by Dark Thirty Poetry Publishing and is available for purchase. She is the 2023 Door is a Jar Writing Award winner in nonfiction and the Fall 2025 Cardinal Sins first-place award recipient in fiction. She has received multiple nominations for the Pushcart Prize and Best of the Net and is the featured artist for the Fall 2024 issue of Blue Earth Review. Her work previously appeared in Burningword 104 and 114, and in numerous literary journals including Columbia Journal, BULL Lit Mag, Berkeley Fiction Review, Ponder Review, Wizards in Space and Tangled Locks. Her art is featured on the covers of over a dozen literary journals, including Glassworks Magazine, Nightingale and Sparrow, Cosmic Daffodil, Silk Road Review, In Parentheses, and Straylight Magazine.
Featuring:
Issue 119, published October 2026, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K Allison, Gilbert Arzola, Sarah Barbo, Roger Camp, Barbara Daniels, Natalia Danjon, Virginia Doré, Chris Dungey, FruitAndNut, Tom Gdisis, Cleo Griffith, Lesley Hart Gunn, Mark Hendrickson, Zebulon Huset, Romana Iorga, Ryo Kajitani, Carella Keil, Merie Kirby, Grace Lynn, Daniel Moon, Sylvie Oleta, Josh Price, Stacy Rollins, Elizabeth Rosen, David J. Schast, Judith Shapiro, VA Smith, Stefan Sofiski, Lisa Christina St John, Valy Steverlynck, Kathryn Temple, John Walser, Megan Wildhood, Stephen Curtis Wilson, S.E. Wilson, Roberta Winters, Jean Wolff, Jason Youngclaus, Matt Zambito, and Esther Zhang.
64 Pages, 6 x 9 in / 152 x 229 mm, Premium Color, 80# White — Coated, Perfect Bound, Glossy Cover
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