Stefan Sofiski

Surprise, Surprise

Maria placed her caramel latte next to the corpse and cracked the window.

Light seeped into the basement generously, interrupted by people’s legs treading on the pavement. Morning freshness diluted the air of chemicals.

Maria rolled her shoulders and turned towards the corpse. It was small, deflated. Its cover hung low on the gurney’s sides. The right arm jutted up shriveled and dry, culminating in an outstretched index finger lecturing God herself somewhere up there.

Maria frowned. The frozen gesture looked almost familiar. She shrugged it off as a stroke convulsion. She would have to break the bones to fit the arm into the coffin.

“Okay, let’s make you handsome,” she said, slapping latex gloves on.

The corpse didn’t reply.

Maria pressed a sip of silky caramel against the roof of her mouth, and wheeled the instrument cart closer.

Pulling the cover, she recoiled.

Only once had she encountered a familiar face at work — Acho, a gypsy boy from her neighbourhood that had got mangled in a mechanised dump truck whilst rummaging.

Then, she’d curled up in the corner and wept. Now, warmth spread over her.

“Professor Ivanov, what a surprise!”

Maria let down her hair, browsed her phone’s playlist for “Sympathy for the Devil”, pressed play and swayed her hips in tune.

“Remember what you told me years ago when you wouldn’t let me pass chemistry, professor?”

Maria clasped the outstretched hand.

“You wagged that finger of yours,” said Maria. “This little piggy,” she began and snap-snap-snapped the brittle bones one by one, tucking the limb at the professor’s side.

“I begged, proved your marking wrong… but you wanted more than chemistry answers, didn’t you, professor?… Remember wagging that finger at me, saying… ‘over my dead body’?”

Maria jumped, leapfrogging over the corpse. She plopped onto the dead man’s stomach.

“It’s good you did, or I might have got another job and never seen you again.  Because look where I am now, perv… over your dead body!”

She placed her fingers on the corpse’s eyelids, pulled them open by the lashes and leaned over the milky eyes. Jagger’s voice screeched through the loudspeaker. Maria swayed her hair and whoo-hooed over the corpse. Warm light and shadows of pedestrians’ legs danced on her triumphant face.

 

Stefan Sofiski

Stefan Sofiski is the pen name of a double miscast in the literary community: a left-brain structural engineer writing fiction, and a Bulgarian doing it in English. He holds a PhD in engineering and a Pushcart nomination in writing. He juggles these two worlds, often embarrassing himself in both. Stefan works in two intertwining registers: literary fiction (Unbroken Journal, Flash Fiction Magazine, Tint Journal) and thriller/noir (Shotgun Honey, Close to the Bone, Thriller Magazine).

Romana Iorga

[Everything is close]

After Rainer Maria Rilke, The Book of Hours (III, 20)

 

Everything is close
today, the watery glow
from the daffodils
blooming on the balcony,
the wind inflating the green
sail of the curtain,
the neighbor’s dog
yapping again at a passer-by.

I knew something was wrong
when his bark turned
from annoying to cute.
I’m thawing.
I feel it in my bones.

I’m too close to the rain
that’s been falling for days,
turning flesh to water.
I’m liquid, a jellyfish,
eerily transparent.

Let the city pour through me,
I want nothing of myself.

Whoever I was,
that woman held a box
in her hands and in it, her heart.
Unused for so long,
it slowly turned to stone.

 

Romana Iorga

Originally from Chișinău, Moldova, Romana Iorga is the author of Temporary Skin (Glass Lyre Press, 2024), a woman made entirely of air (dancing girl press, 2025), Auz simplu (Semne Press, 2000), and Poemul sosirii (Glasul Press, 1996). Her work has appeared in The Nation, Lake Effect, New England Review, Salamander, RHINO, Gulf Coast, and elsewhere. Iorga’s new poetry collection, Witness Protection, won the Fall 2025 Black River Chapbook Competition and is forthcoming from Black Lawrence Press in 2027.

Sylvie Oleta

Terminus Rotgut

I have the recording scratched bloody as a red record groove into my body, the totality of my body, a needle sending resonant, flowing memory through every vein, cut in rows, scratched, recorded and played, scratched recorded and played, the blood running in and through, drawn back by the writhing mass at my center, the organless weight of consumption, antithetical to being, antithetical to anything but driving the needle, driving the etching and scratching and playing, tasting whiskey and blood and piss and vomit in a kiddie pool of off-color sick-like salmon drool, driven by that corporealizing phantasm of my muffled grunts and his labored breathing, his piston machine desire flowing not through but into, driving like a nail laying track for an express destined to run indefinite, always in, deeper into the dynamite blown cavity of my cervix, over the precipice, into the train graveyard, the organless weighted writhing mass, crashing, compounding, a pear of agony wrought from tortured shrapnel…

 

Sylvie Oleta

Sylvie Oleta is a poet and fiddler residing in Charlottesville, Virginia. She once fell off a cliff while hunting for the wreckage of a B-25 Mitchell and is now forever grateful for conveniently placed trees.