René Solivan: Pigeon Peas

The chocolate-covered calendar read August

yet the citrus pork bellies lounged

casually on Christmas china waiting

for their escorts to the table, pigeon peas


freshly picked and still boiling

in a pot on the iron stove

the iron as black as night

the coals singing below


while nearby they lay

the potatoes quiet and still

meticulously scrubbed

carefully dried and seasoned


now asleep in a glass bowl

the red Idaho’s peeled

and poached in white wine

as the blind man sniffed the air


surrendering to the smells, succulent smells

pungent like cloves or tar;

the aromas escaped from the kitchen

entered the dining room, then hovered


like an eagle over the table

right above the midget squirming in his chair

his eyes fixed on the Christmas tree, an old wood pole

with branches made of toilet bowl scrubbers


their green bushy heads as prickly as pine needles

their arms draped in Christmas lights

trembling, shimmering, blinking rhythmically

to the music seeping into the midget’s head


the sound escaping from him, an iPod perhaps

as he sat on a high chair, his legs swinging

his mouth chewing on chocolate

his hands creating hills in front of him


hills of chocolate raisins

hills of M & M’s

hills he will hide in

when the pigeon peas appear.

Stefanie Botelho, Witness: Scenes

i. April, 2005

The week before, his hands in the seat of my jeans.

The lake before us is low. The exposed shore reaches

under the beached docks, spread open to coming rain.

He said he’d wait for me here.

Hours after I leave him, he calls.

His voice nods slow through affections.

I never shot the shit. Never saw it,

either. I refused to see he still did.

After five days, the phone rings.

His mother found him, a needle in his arm, seven a.m.

He ran into the woods outside his house, screaming

that he wanted to die. He wants to die.

A Friday night, dark at 4 p.m. I close my window.

Spring ends with him in prison. The air thickens

as the lake is slowly filled. The first waves

splash against the docks, finally afloat.

ii. May, 2007

We sit on the porch of her farmhouse

at her stepdaughter’s college graduation party.

We watch the two dogs roll under stars

on the field of her front yard.

She pours two shots of silver

tequila like a blessing. Salut.

She toasts the lumps in her breasts

as we soothe agave fire with champagne.

I’ve come to this farmhouse since before

my breasts. She sobs as I light

a cigarette, insisting on silence

until a date for surgery is set.

Through the kitchen’s window,

her stepdaughter’s laughter. We hear

the cork shoot from the last bottle

of champagne, a glass shatter on the floor.

iii. August 2005 – November 2007

Six months after she died in the Iraqi desert,

he and I meet. We start against hallway walls.

We build between train stations,

all-night trips up and down the coast.

He leaves Lajeune, moves north. One night,

wrapped in the same blanket, he shows me pictures.

We come to her, naked, the vital parts censored

by an inner tube. Her wet hair. Her laughing face.

I end it shortly after. I watch him

do coke for the first time, watch walls.

I watch the walls, too, to find what he sees.

More blow, booze. Weed to balance.

We still go to bed together. He usually

falls asleep just as dawn seeps through

the window by the ceiling. His length warm

at my side, her memory curled at our feet.

iv. May, 2008

I received the summons, but the addressee’s name was incorrect.

I sent it back. I haven’t checked the mailbox since.

In the morning, they call because I have to be retested,

the initial test positive. I find a ride from a friend, leave

my brother a message. Outside my house, I tug

on my hair, scalp from skull, to know if I feel it.

I get in the car, can’t answer questions requiring

explanation. I twice light the filter of the cigarettes

I quit. Fiberglass sparks, singes in a crackling burn.

I get the third to light, swallow smoke.

In a tiny room, they ask me about drugs about fucking

about where a white suburban girl could pick up HIV.

They say I’m not in the risk group. With my blood,

they close the door. I stare at a Parenting magazine.

When they come back, they don’t shut the door. Negative.

I check they tested the right sample. The doctor nods, slowly.

In the parking lot, my brother waits, weeps into my hair.

A stoplight turns on Main Street, horns blare. No one moves.

Stefanie Botelho is a recent graduate of Western Connecticut’s MFA in Professional and Creative Writing program. She has been published with The New Verse News and has writing in the upcoming Sentence: A Journal of Prose Poetry.”

Christopher Austin: Poems

Paris

Our paths cross as they have before

greetings exchanged upon a hint of recognition

though unable to  place when or where

I was thinking French class, or maybe

we were lovers in another lifetime.

Perhaps Paris…

expatriates sharing café au lait

and stories of home.


Strolling down the Champs- Elysees

I remove my chapeau and

bowing deeply, I ask you to dance.

Your cheeks blush, desperately

trying to match the perfectly pink

parasol you twirl above your head

in the sun- splashed boulevard.


Mass

Random thoughts,

like slow- moving, hungry beasts

forage through the meadow of my mind

the tireless shepherd of my consciousness

drives them on lest they consider

this range of gray matter a home

still they graze and consume

every grain- do they not know

they too will perish

when all is gone

can they not see

what fate lies ahead


and the shepherd; tender of the flock

simply walks behind these creatures,

not minding the foreboding clouds

forming a dark malleable mass

not yet raining

but always threatening