Young Suburban Boy Dreams at the Dinner Table

Eleven, your age of sleeveless sparkle tops and sundown
sneakers, even the lemon of the walls in your home
couldn’t tell you which way little sister should hit
the piñata, or how much corn from the can mom would slip
on your dinner plate. Dad still combed his hair to the left,
talked Nixon and Watergate like the wood cabinets
were listening, and you were pushing the peas to the edge
of the China dish as he said, Son, couldn’t you wear
a baseball jersey instead of them dandy sparkles,

and the shaggy mutt next door sang to the rooftops
of other dogs. You tilted your head to sister playing
with the cheeks of her dress, thought about all those gummy fish
 she hopes to find when she hits the belly of a hanging horse,
and how she’ll kneel down with graveled knees and scarlet
fingers to gather what she can in the small of her arms. You
dosey-doed from your plate up to the staircase, lifted
the dirt-painted horse from your sill. Mom taught you once
how to ride, but you only remember the earthquake of your legs
and the ground crumbling like an unfinished jigsaw. The posters
of baseball brilliants, the stars of other stars, were not tacked
into place by calloused hands of your own, but instead
melted into the wallpaper as models for who you could be. Just look
at them son, you could be all that they are, you could
even be more.
You moved your horse around the bedpost,
made trotting sounds with your teeth and your tongue
as the greats hung like ghosts on the wall.

 

by Lauren Weiler

Cynthia Eddy

Harangue

 

He is a hard sell

A man who knows what he doesn’t want

Ranting on and on 

Appealing to his senses is useless

Neither hot nor cold

Gone is his sanity

Under his hat

Enters the green dragon

  

Rattle

 

She was one piece

Hanging together like

The skeleton in the closet.

 

Each bone attached with hooks

Rattling at the least breeze

When the door opens.

 

Words clatter around in her skull

The marrow eaten away

Flesh is a remembrance.

 

Each line put together

With bits of bone. 

 

by Cynthia Eddy

 

Cynthia Eddy lives and writes on the eastern shore of Virginia. The quiet village sustains her sense of neighborhood and belonging. She holds a BA in Art History. She has been published in Third Wednesday, Eunoia Review, Epiphany Magazine, Zombie Poetry, Deep South Magazine, Forge Journal, the Black Lantern Press and in Emerge Literary Journal. Poetry creates a chord between reader and poet. That chord remains long after the reading. Every poem reaches into the reader and brings forth an understanding, a moment of ‘I’ve been there’.

A Map of Purgatory, or That One Time I Worked in a Call Center

1. The First Day

 

Cubette manacled, beslacked

and boringbuttoned to the neck,

flogging freeways towards debtless hope –

I’ll be cubed like cheap ham at a salad bar,

smiling behind circuited gallows,

noose in a half Windsor,

not without doldrumming dress heels

typing into sterile carpentry.

Hairsprayed stare to spread bullshit like butter,

one foot on the bottom rung,

the other in quicksand security,

I folded like a clothrusted hide-a-bed

forgotten under days

 

2. Co-workers

 

Poloshirted, hunching

future quasimodos, pocket change tolling

in vending machine spires,

window-staring champions

tanning fluorescent, clockwatching

heartbeat swimming in coffee regimen,

keyboard galloping in protocol to ratatat ringtones –

the break room oasis warmed by

that sweet droning, the choral hum

of iridescent glucose

 

3. Medication

 

and I dream of weekends like I dreamt

of middle school crushes in math class –

blessed by hallowed Friday night,

whiskey caress reaches till Sunday,

inviting Mondaybound hangovers, with

docile lights roaring between the calm

slaps of lukewarm caffeine and the

respiratory embrace of nicotine;

I take my fifteen to paint porcelain

the colour of one-too-many and remember

I am 2,080 hours richer

than a life I might actually enjoy.

 

by Michael Harper

 

Michael Harper fled to Oregon right after getting a degree in English & Comparative Literature from one of those biggish schools in Southern California. His work has been featured in Dash Literary Journal, Hibbleton Independent, Lexicon Polaroid, New Verse News, Origami Condom, and Verdad. He now lives beneath your couch, hoping you won’t look under there too often. You can find more of him or ignore him at openmikeharper.com

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