Night Travel

Curving, climbing, descending

On steel tracks, the moon keeping pace,

 

While in ten thousand little towns

The sleepers sleep in the earth.

 

In ten thousand furious days,

 

Men, machines, explosives

Blast through the mountains,

 

Hard labor building highways: The age

Of the motorcar has come and must

 

Be accommodated. But there are

No real rules yet, and whether

 

In a plush Pullman smoking car or a flivver

In a field, men will hop up, pulling

 

Long and deep from jugs of corn whiskey.

The ten thousand days diminish one

 

By one, and trains, men, swaying,

Drunk, join the sleepers of the little towns;

 

Sleep, while mountains and fields

 

Shift and change from what they once

Knew them to be, and cannot, even now,

 

In their stertorous breathing, imagine

 

The stranglehold to come.

 

 

by Christopher Kuhl

 

Christopher Kuhl has been published in Big Muddy, Crack the Spine, OVS Magazine, Euphony, Prairie Schooner, The Anglican Digest, Ensemble Jourine, Inscape Magazine, Kane County Chronicle, Mississippi Literary Review, Piedmont Literary Review, Zzbaggins Poetry Victims, Schuylkill Valley Journal of the Arts, Thin Air Magazine, Tulane Review, Glass: A Journal of Poetry, Alabama Literary Review, OxMag, Superstition Review, The Griffin, Diverse Voices Quarterly, and The Critical Pass Review. His short story, “Wade,” was named the Annual Editor’s Choice of Best Work in Fiction by Inscape Magazine. In 2014, five of his poems were selected to be published as an individual chapbook by Red Ochre Press. Kuhl’s self-published book was awarded an honorable mention in the poetry category in the Writer’s Digest 15th Annual International Self-Published Book Awards, and he came in 10th in the Writer’s Digest Poetry Awards. He also placed first for my poem, “Agon,” in the Mississippi Poetry Society competition.

 

Shoreline

The evening beryl blue

A wavy horizon puffing out clouds

Sanguine in her lasting coffers

My heart lies silent at the bottom

Of the jar of peace.

Ears lounge on sand,

Coarse as they may be

Toting cottony waves

And their aimless niveous roars

The wind lifts my hair

Levity sinks in the sand

A shell upturned, burnishing a golden

Corals stray awash unshapely

Yet their randomness beholds a design

Woven in the blindness of foaming waves

Warily retreating into the belly

Of the gurgling sea

I lift my chin, scan them accede

My sights lock as colors riot deep

Into my fist wet sand intrude

As my toes surrender deep

A sombre wave romances my chin warm

Then rushes to bathe my dazed soul

That time too shall come

When my ashes they douse

Harboring them in their sojourning fold.

 

by Sudha Srivatsan

 

 

Sudha was born and raised in India. Her work has appeared in numerous journals including Commonline Journal, Tower Journal, the Germ Magazine, Carcinogenic, Indiana Voice Journal, Bewildering Stories, Leaves of Ink, Mused Literary Review, Subterranean Blue, Corner Club press, BlazeVox among others. Her work was also selected to be part of Storm Cycle’s 2015 Best Of anthology.

 

Not Birdwatching

Only the best trickster gods

have wings. Beating away at

the dried browned grass,

they knead the air and earth together

in the stone bowl of a yeasty, wet spring,

fooling us with movement and stories

that only let us see shadowy parts of things.

 

There are layers and layers

of air and birdsong and grass

that only a woodcock can lay claim to

strutting in that flat dinner plate of prairie.

For us, each step closer is a snap of grass,

but the only way to know it is to lie on it

and to feel it’s sharp ceramic crack underneath you.

 

I can stand still, feel my feet in the fragile brotherhood

of all the things in motion—

fluid wings, the unsettled earth, the ungrown grass,

a frog-chorused April dusk against

that fluttery squeak of flight,

which is not so much an awakening,

but the audible refilling of the haunted earth.

 

by Paul Wiegel

 

Paul Wiegel is a Green Bay native and now writes from his home near the upper Fox River in Wisconsin. His work is forthcoming in The English Journal, Eunoia Review, and Hermeneutic Chaos Journal. He is the 2015 winner of the John Gahagan Poetry Prize.

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