In her mysterious monochromatic photographs, Jing Lin reconstructs a familiar world that no one has been to. Her background in motion pictures informs her current work. As a graduate photography student at Academy of Art University, she worked with multiple darkroom techniques in traditional and alternative printing processes. She blurs the edge between photography and painting through the use of experimental processes. Solitary, Jing’s most recent body of work, in which she is portraying a nonexistent place to examine the theme of self-confinement. Constantly, she explores photography with these questions in mind: What did I see? What did I not see? Chinese, b. 1993, Chengdu, China, based in San Francisco, USA. https://www.jinglinphotography.com
Dr. Benjamin Erlandson is a perpetual skeptic, longitudinal thinker, brewer, gardener, photographer, learning systems designer, and writer of fiction and nonfiction. Combinations of his efforts often manifest as technology, visual media, and printable narrative. Having tried nearly every platter on the capitalist corporate industrial buffet, he’s just not found anything to his liking. He spends quite a bit of time in the mountains and rivers instead. Mostly on foot. Dr. Erlandson has published extensively in academia, including several peer-reviewed articles and co-authorship of the graduate-level textbook Design For Learning In Virtual Worlds. He has self-published the narrative nonfiction work Winter South 02014, about a road trip from California back to his home state of North Carolina. With another nonfiction project in the works, he switches gears between fiction, nonfiction, and photography to keep his mind limber. He’s been shooting for more than twenty-five years and writing creatively for more than thirty. Born and raised in Elkin, North Carolina, Ben has degrees from UNC-Asheville, Emerson College, and Arizona State University, and has lived and worked in Asheville, Boston, Tempe, Monterey Bay, Berkeley, and Washington, DC. He currently resides in Glade Valley, North Carolina, and hopes to build an ecological homestead, or just travel around the North American continent on foot, bicycle, and touring kayak, practicing photography and telling stories.
Heath Brougher is the poetry editor of Into the Void Magazine, winner of the 2017 and 2018 Saboteur Award for Best Magazine. He is a multiple nominee for The Pushcart Prize and Best of the Net Award. His newest book is “To Burn in Torturous Algorithms” (Weasel Press, 2018). His work has appeared in journals such as Taj Mahal Review, Chiron Review, MiPOesias, and Main Street Rag.
Featuring: This issue features works of poetry, flash fiction, short nonfiction, and photography by Steve Ausherman, Tayo Basquiat, Martha Catherine Brenckle, Michael Daley, Roberta Senechal de la Roche, Sophie Ezzell, Edilson Afonso Ferreira, Brad G. Garber , Chelsea Hansen, Kat Heatherington, Gloria Heffernan, Charles Holdefer, Will Huberdeau, Janet Jenkins-Stotts, Alison Jennings, Steve Karamitros, Candice M Kelsey, Abigail King, Kimberly Lambright, Charles Leipart, John Leonard, Gregory Loselle, Briana Loveall, Marianne Lyon, Sheree La Puma, Susan Martin, Karla Linn Merrifield, Daniel Edward Moore, M. Ann Reed, Nicolas Ridley, Michael Karl Ritchie, Gerard Sarnat, John Sweet, William Torphy, Stephanie Vanderslice, Stephen Curtis Wilson.
