war, everywhere

this man who writes
to tell me what
he’s sacrificed for his art

these children
who weren’t even born when
the land mines were planted

their missing limbs and
ruined faces
and small painful deaths

all of the reasons i
hate what i’ve become

parable

or these animals in
their tiny cages
and the way they go insane

the way money
exchanges hands

twenty bucks he says
as his girlfriend walks into the room
and i think i might know her

i think i may have
been here before

was promised nothing but
came back again

again

learned finally that
hatred was
the only drug i needed
to feel alive

 

by John Sweet

responding to the critics

and sometimes
they write to talk about
discipline
and sometimes to lecture
about the need for
hope

sometimes
i send them pictures
of nuns hanging raped and
murdered from the trees
of central america

we all need to
believe in something

What Happens to the Fallen Leaf

I expect we will always argue about
fixed conclusions of a chair —
that image of defeat so raw
it could be hanging, stinking beef
unabated by the wind.
Call it fealty to dreams, to rivers
drying as we speak —
if you guess I’ll yield
to rolling wheels with arioso grace,
you’ve not met my real soul
who thinks that even tortured legs are still
a poem with missions in their syllables.

You will say I have more strength
than monuments of will I know.
You will say that chancre is a cornered bird
in rooms we never knew were there.
And I will say I’m featherless,
a brittle corpse that mourns
the facts of wings erased.
I will see these body parts
as idle, feckless, useless strings.
Health is blind and illness sees
what happens to the fallen leaf.

I won’t be sitting happily
in soft green sarsaparilla grass
salving the going bone —
reading a book clothed
in chamois leather flesh —
liking who I am inside.
Ugly as this honesty may be
to such defensive love,
I will be staring at lightless stars
glued to an onyx sky — reaching
for a .38, if only in a metaphor.