Fishing Lures, Underwear and Poetry

by Bryan Sisk

 

 

I’m reading a book of poetry

by Robert Frost,

an American master.

I can smell the dirt and

hear the rustle of trees

as I flip through the leaves.

I found the book at a library sale,

fifty cents.

 

On the inside cover is an inscription

scrawled in crooked adolescent script

by someone making the jump

from print to cursive,

pencil to pen.

 

“To Dad,

      my poetic

            father”

 

I never bought my dad

books of poetry.

Every holiday it was

fishing lures and underwear.

These gifts went a long way

on father-son fishing trips.

Lures taught me to fish and

sometimes brought dinner.

Underwear served its

obvious purpose,

but also served as

a coffee filter in desperation.

With these simple gifts,

my dad led me through

the rites of passage

into my own manhood.

 

I hope my turn comes

to lead a son of my own

through his adolescence.

Teaching him to risk losing a lure

for the perfect cast,

and to portage

when the river runs dry.

 

And I hope he gives me gifts

of fishing lures, underwear

and poetry.

One can lead a happy life

with these simple gifts.

 

 

Annie Canavan

Seizing Optimism

Tangled in a ruthless sea of anxiety and adversity,

my lungs crave the cool clarity of the air

but fail to conquer the destructive consistency

of this hurricane’s warfare.

 

My eyes sting with the salt of my past,

But still I see a glimpse of the light of relief.

I struggle to make this speck of oxygen last

as I’m swallowed by these waves of defeat.

 

Hurled into the shady blue depths of catastrophe,

Straining to defy the wrenching current of cynicism,

I dig my nails deep into the sand and into my sanity,

searching desperately in every seashell for wisdom.

 

I extend my arms toward the glowing luminosity of liberation

and kick my feet against the consumption of this sea.

Breathing purely off wilting hopes and determination,

I refuse to let this ocean of drowning dreams engulf me.

 

Breaking through into the atmosphere of belief,

I gasp for emancipation and breathe in gulps of hope

as I closely clutch the seashell from beneath

that has taught me how to float.

 

Having Faith

As I shed my leaves I become drenched with vacancy and despair

because without each of my blooms in this chill I feel completely worthless and bare,

each encompassing a story, a memory, a lesson, a regret,

leaves of love, leaves of pain, some leaves I wish I could forget,

but each had branched together to complete a singular tree

colored with life and specks of beauty and authenticity.

They glide gently to the ground, carried by the soft grace of the wind,

so effortless and peaceful, yet I feel so empty and thinned.

The cold becomes colder and my loneliness remains thick and dark.

I rapidly lose hope, feeling incompetent dressed in only a bland sheet of bark,

but the welcoming rays of Spring arrive and paint over the wintry gloom,

and in contrast to all of my negativity, a new batch of leaves I blissfully begin to bloom.

 

 

 

 

Amanda Cal Phoenix

The Reality of It

satin smoothed to be bruised, eventually

like a car crash looming, sugar rush

glitter tears glass bits

snow fluff, spread

science says energy never ends –just changes form

 

garage sale lace discard

someone in the family owns a closet of black clothing for events such as this

twirling skirt, champagne glasses with lipstick stains

aghast, entwined in the silky mess

vase cracked, plum pits

shrivel

 

Hard Times

“In hard times, beauty can seem frivolous—but take it away and all you’re left with is hard times.” –Paul Madonna, Everything is Its Own Reward

 

gray matter mush, a heart attack

the older brother died at thirty-one

the younger one was picked up put away

his underpaid lawyer tired smiled patted shoulders

fifteen more months of under-seasoned “meat” –could be worse

 

salt water halo

i leave the door ajar while i sort refold repack the sweaters shirts jeans shorts

tags still attached until he gets back

a scavenger, i eat on food stamps and dig myself a sanctuary

in a compiled dust old junk grease stains house

spiders watch me shower

 

my saintly lover sighs and i apologize

we met at the start of shit falling apart

our summers bring bad drivers sweat cat hair everywhere

so, we take to the mountains

escaping the stink and thinking

 

for a week, climbing soggy cheese and trail mix

watching the kaleidoscope landscape crumble into night

he holds me steady, and i can breathe

 

A Tracing

advertising mind control

mouth ear finger head

a sponge –fucked

unruly

 

opaque

starlet envy

bleached blonde

diva decapitated

coffee smoke rings, the trash

hasn’t been picked up for weeks

 

erased painstakingly

protruding ribs and hips

distortion

teetering on patent leather boots

in black and white

 

a sliver crust, a dropped jar of pickles

dissidence

ignore it until it’s gone away

the graying sheets with makeup splotching

 

Amanda “Cal” Phoenix is an undergraduate student at Washburn University, in Topeka, Kansas. She is a member of Sigma Tau Delta and has had work featured in Inscape and The Hobo Camp Review.

Post Apocalyptic Limbo

by Jake DeHaai

 

His bright blue eyes provided the only color to the barren wasteland. The deep creases around his mouth told tales of violence, love, and loss. He walked across the decrepit highway, the realization had set in, he was alone.  He was isolated. His past had hardened him, taught him to show no emotion. Yet his internal sadness had broken out of his hardened shell and was plastered on his face permanently.  The emptiness of this land constantly reminded him that everyone he had ever loved, spoke to, or even glanced at—were dead.

Screaming. Buildings engulfed in fire. People burning, trying to run from imminent death.

He used to walk the path of God; but after seeing what man could do to each other, he had decided that there was no God, for no God could let its creation do this to one another.

All the man had done was walk. He was constantly on the move, on the run from his pain, sleeping wherever he could, but never for more than a few hours. The soldiers would find him if he did. Every day was just like the last, wandering, trying to survive as the pale gray sky loomed over him.

Eyes blinded by the bright light, which followed the ear shattering boom. The concussion knocked over buildings, uprooted trees.

Pieces of his past came to him, but only in snippets. His conscious was in turmoil, plaguing him with despair. But then he saw the town. It was like a distant desert oasis, luring him with food and safety. But soon skepticism took a hold of him.  The soldiers patrolled the towns, looking for him. He gathered up his courage and decided to take his chances, for he needed food.

Upon approaching the town, with one hand on his pistol, he gazed out at the ramshackled buildings, lifeless and ruined, and his inner feeling of hope dispersed. He wandered the streets of the ghost town. The cracked pavement of the road and the dilapidated facades of the buildings set off an eery tone. The ruins of rundown park caught his eye. He could still see the frame of the rusted over swing-set. The metal merry-go-round was turning slowly in the breeze, creaking with each movement. He made his  way toward a faded bench. Sitting on it he opened up his rucksack. It was littered with .44 bullets and empty tin cans. As he noticed the bullets, the realization of his situation started to set in. An idea expanded across his face. It was appealing, for he had no food, no water, no friends, no shelter, and no hope.

He took the pistol out of his belt, pressed the catch on the side. He sat there and watched as the clip fell to the ground. The ringing of the metal hitting the street filled the town with noise. He didn’t care. He slowly picked it up, feeling its weight in his hands. He sorted through his array of bullets and chose one. He brought it to eye level and gazed at it. It was weathered and scratched with age. He brought it back down and pushed it into the clip. He put the clip back in the gun and pulled back the slide. He felt the cold hard steel in his mouth as he was preparing to pull the trigger. He squeezed.

Elias Van Son

low voices

God and i talk all day

in low voices. i’m driving

and he says something like

 

“did you know

the air pressure in one of those semi-truck’s wheels

is so great that they sometimes explode?

and when they do, they shoot off the axel like a rocket.

if you happen to be driving beside one

at just the right moment,

three hundred pounds of steel and hot rubber

comes smashing through your window

and takes your head clean off.”

 

“jeezus.”

 

“yeah. it happens every day, only

you don’t hear about it.

and do you know why that is?

because no suit makes a dime off random tragedy.

we’ve got home security systems,

public service announcements

for the endangered polar bear,

your choice of six dozen drugs

to keep you from bathing with your toaster,

but when it comes to those “unpreventable” events,

those deaths which have no patented and affordable cure,

mum is the word.

it kind of makes you wonder about things, you know?

like the connection between governmental policy

and the booming industry of medicine.”

 

“holy shit. take it easy on me, big guy.”

 

and he laughs,

“what i’m saying is that life is a gift,

and there’s really no time to shake the box or guess

at what’s inside. rip off the wrapping.

become a rock star, a monk, a father, a junkie

if that’s what you want. stop trying and just do.

roll down the windows, stomp the pedal,

but for Christ’s sake enjoy the ride.”

 

i’m feeling almost convinced

until some daft bitch cuts us off

in traffic, i punch the dash hard and

damn everything to hell.

 

a man picks up a lady of the night

a man picks up a lady of the night,

pays her to lie in bed beside him

’cause i’m afraid to die alone, says he,

pulls a gun from the pillowcase and

paints red the rented room.

he said [she says]

his dog don’t like loud noises

 

he wrote

the only end for me would be

to be dragonflies whose wings beat

in perfect and effortless syncopation

toward a torn-open hole in the sky

[six legs wave goodbye]

hauling down monuments to the tune of our instruments

blooming, but still asking why

 

lord God bless and curse the martyr who

fell madly in love with his own reflection who

[drunk with pride] dove headfirst into shallow water who

came face to face to face his sorry self

and the bottom of thy swimming pool in autumn

[for he was]

 

lost in thought / buried by leaves / reborn into the light

 

may the dog eared pages of his volumes speak

boldly through the throats of future ghosts forever

and ever amen

 

–Elias Van Son

 

Elias Van Son is a young artist living in the Catskill mountains of New York. His writing has appeared in ATOMICA, In Preparation, The Angle, and elsewhere. His first full-length book of poems Little Feather was published in 2009 by Some Blaze Free Press, and an EP of his language-based music is forthcoming from Steak and Cake Records.