On the way to see lavender flames and bloody cow tails,
a bunny runs from beneath my car, tears in his eyes as if he had heard me
screaming inside my room minutes before
Some mornings I weep instead
Ashlie Allen writes fiction and poetry. Her favorite book is “The Vampire Lestat” by Anne Rice. She is friends with the Green man and some other weird creatures.
When we were together, we were not.
I was alone with you and with all the animals,
all the cherry blossoms, Chrysanthemums and
the rising sun. Is this Japan? But I’ve never been there.
Daylight is just the messenger of the secrets of
the night’s hidden and utter darkness.
Moonlight is just the reflection of the ashamed sun
and nothing else.
Twilight – the hermitage of the unholy things
squatting in the mud, waiting for dark and godly hours.
Love is a turkey when every day is Thanksgiving.
Love is cow in the slaughterhouse, bending down its
head to the ax.
The mountains stand tall and proud, talking in dead
language with the birds in the sky, resembling unknown
hieroglyphs.
Rivers flow with no time left, to the edge of
the horizon.
Logs split back into logs in the deep and still virgin
forests.
And then silence descends.
When we were together, we were not.
We tried to be something else,
but that was impossible,
because we were already completed,
and silence that descended was the end of everything.
Or it was the new beginning,
just like that moment when the orchestra conductor
stands still, before the first note of the symphony,
with its baton in the air, above his head,
and then he swings.
This is not the thing I want,
this is not the thing I don’t need,
this is not the thing that it thinks it is.
I sit on the writing table and think
about it. But at the same time I can not
think, therefore what?
The wine is decanting, my Gitanes sits unlit
in the ashtray and I watch trough the window
how the misty sadness is clearing over the grove.
I tend to take everything as it is, to make some
sense out of it, some shapeless meaning.
And I remember now how when we were with
together, everything around us would cease
existing. Maybe this is it. This everything.
The Cosmos, the Universe, the stars and nothing
else, just pure pleasure, when everything comes
to light. And it, of course, was standing between us.
And then, in fact, there was nothing but pure silence.
Peycho Kanev is the author of 4 poetry collections and two chapbooks, published in USA and Bulgaria. He has won several European awards for his poetry and he’s nominated for the Pushcart Award and Best of the Net. His poems have appeared in many literary magazines, such as: Poetry Quarterly, Evergreen Review, Front Porch Review, Hawaii Review, Barrow Street, Sheepshead Review, Off the Coast, The Adirondack Review, Sierra Nevada Review, The Cleveland Review and many others.
The perpendicular marks on the carpet,
Below my blistered boots, mark my path to this
Place of auditory affirmation.
The noise from the tv tells me to stop
The silence and listen to
Talking mocking teething media personalities:
I feel the hereness of hearing and for this reason,
All is perfect.
The questions my mind beckons to
Consciousness are neither new nor old but
Persistent: this steadfastness feels normal—
A salutation of life and auditory awareness.
The fortunate falls we face and fear
Hear no cries of regret but rather,
Cries of confidence that propel new-
ness and resilience.
Like the spindly carpet from the waiting room floor,
I stand still and sally my silent awakening.
Joey Kim is a Ph.D. student in English at Ohio State. Her research interests include British Romantic poetry, Romantic Orientalism, gender and sexuality, and postcolonial studies. She is particularly interested in the intersections of theories of sexuality and Orientalist literatures. She earned her MA in English literature at Ohio State as well, and is currently reading for her PhD candidacy exams.
In dusty houses
with sallow shades
floating ghostly
past books, pictures,
broken furniture
unconnected
disengaged
Functional rubble
of teeth, knees, hips,
skipping the charters to Branson,
afternoon performances
of Hamlet
writing in their journals
how the view from the end of the road
mirrors the view from the beginning:
a thoughtless line
vining to mind,
a heart of treetops,
vanishing unsurprised
through the floorboards.
Craig Evenson is a school teacher. His poems have appeared in such magazines as Lalitamba, Midwest Quarterly, and Common Ground Review. He lives in Minnesota.
i was born a year and a half after he died
a little baby boy allotted eight hours of fresh breath
a slap in the face to my mother who carried him for nine months
who would’ve given up a lifetime of breaths
to save his
they say i am made of stardust
particles from the universe, the very matter
from a now dead star forms my raggedy bones
that i carry around
and berate
and criticize
and abuse
my grandmother left her house
knowing she’d turn black and blue
when her mom found out that she crawled out the window
to give my grandfather one last kiss
before he left for the war
when i was two i jumped into a pool of water
at a party for grown ups when people were laughing
and not watching the now disturbed cold water
and some man jumped in that didn’t know me
in all of his clothes
saved my life
and it’s interesting, so interesting
to think of the boy – what’s his name?
who left me in the dark during that tough time
and how i thought my life no longer mattered
because when you think of the stardust,
the baby, the swimming pool,
my grandmother, the war,
the boy seems a bit less shiny,
don’t you think?
Monica Noelle Simon is a poet, writer and marketing professional from Scranton, Pa. She is the creator of Poets of NEPA. Her writing has been published on Elite Daily, Poets of NEPA, and HelloGiggles.
You grow a beard, check the mirror,
notice you are forty years old, the next
morning, you shave it off, find you are
sixty. But life is like that, suddenly
everyone you know is dying and they
still visit with your back turned to them.
One day, you took the school bus
and you earned a gold star for answering
the last question right. Now, the nurses
on night duty ask you something which
you can’t open your mouth and respond to.
All you know is that someone switched
off the light and you don’t know how.
Lisa Zou is a student in Arizona. Her writing has been recognized by The Poetry Society of UK and the National YoungArts Foundation. Her work has been published by the Sierra Nevada Review.
