bill wunder
I'd nearly forgotten that room
but lately, things appear
in the narrow, dark space
between door and linoleum:
Fingertips of palm fronds;
fragments of jungle fatigues;
love beads we wore under them.
Acrid, burning wreckage
of a helicopter delivering mail
and Christmas dinners to a hot LZ.
Foul, strange aroma
of mama-san improvising
meals out of fish heads and rice.
Thunderous roar of F-4 Phantoms
climbing in tandem, urgency in their contrails,
distant varumpf of bombs in mountains.
Sing-song complaints
of mothers moved
from ancestral villages,
their children clinging
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My neighbor's television mumbles
all night through yellowed wallpaper.
Beer commercials, game shows,
Star Trek theme at 3 a.m.,
I play puppet to ventriloquist,
lip-sync every sales pitch;
sing their vacuous anthems.
There is safety in this stale room.
Sleep will not come.
My mind sprints,
I am a step behind.
Traffic snarls,
rises from the streets.
Sirens sing to me,
divas fill the night
until morning's air spills
through my window,
sun warms the floor.
Outside, lions pace
among crowds of strangers
in their stone Serengeti;
they wait for me.
Lions first app
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I walk reverently,
footsteps soft as
feathers falling.
I am humbled
by giants, asleep
in Muir Woods.
Solitary sentinels
reach for heaven,
scrape the sky.
End of daylight
tiredly slants,
filters through
canopied roof,
ageless shadows
of God's cathedral,
illuminating my path.
Overwhelming silence
enraptures me
as angels sing
of God's gift to man:
the sacred redwood.
Cathedral first appeared in [i]Melange Journal[/i].
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phone rings.
he wants me,
I can tell, or
is it those red shoes?
sounds made
by high heels
on reflective,
wooden floors
bedevil him.
I am someone else
in scarlet spikes.
my skirt swirls
freely
in the warm air
surrounding me
like a swarm of honey bees.
my legs, longer
in those red shoes,
belong to a seductress;
a stranger to me.
I am rhythm.
my breasts bounce
upon the off beat.
he is at the door.
my pulse quickens
as I slip on those red shoes,
and one thing leads to another.
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Breathe me.
Part your lips,
draw me in
deeply.
Hunger for me,
want me,
I am all
you require.
Taste me.
Lick my salt,
I lie thick
on your tongue,
like ash spewed
from a volcano.
Feel my tremors,
thirst for me
in the desert.
I am like rain,
I will wash
you clean.
See me,
watch me
love you.
Close your eyes,
feel me enter
the temple.
Love is religion.
Religion first appeared in [i]Coil Magazine[/i].
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Explosions varumpf
across red clay valley,
tongue-fucking my ears.
Micro jet loops,
carves new hole
in earth's shoulders.
Sound delayed by distance,
sight not far enough.
Monsoon rains death,
but cannot cleanse.
Addictions birthed here,
reunions in hell gather here.
Heroin high,
never been lower.
Mama san knows,
gums betel nut;
red mouth, no teeth.
Smirking,
we will all go,
one way or another.
I fly away, never leave.
Phu Cat, Vietnam-1970 first appeared in [i]Coil magazine[/i].
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Life has had its way with me.
I am exiled,
to a chair in this hotel room,
counting lines in wallpaper.
Lines so straight, sharp
you could shave with them.
Imprisoned with me;
vertical cellmates.
My life revolves around me,
gliding along walls.
Resignation
brings retreat,
refuge,
in the written word.
I rise above,
free from form,
look down quiet,
velvet halls
leading to a lobby
full of strangers,
checking out,
resuming lives
I have not lived.
Exile in Room 101 first appeared in [i]Coil Magazine[/i].
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No neon glare
on the plains of Africa,
no streetlights
in the Serengeti,
only night,
black as espresso.
Parched earth revived
by generations of tears;
Lazarus land.
Hopelessness
of hunger closes in like hyenas.
Dream of them.
Dawn renews despair,
a second language here.
Red dust swirls
its death dance
with seeds of faith,
mere wishes upon the wind.
Children dressed only
in distended bellies,
adorned with flies.
I do not look them in the eye.
Tears Of Africa first appeared in [i]Snow Monkey[/i].
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