Robert Carr is the author of Amaranth, published by Indolent Books, and two full-length collections published by 3: A Taos Press – The Unbuttoned Eye and The Heavy of Human Clouds. His poetry appears in many journals and magazines, including the Greensboro Review, the Massachusetts Review, and Shenandoah. Forthcoming collections include Phallus Sprouting Leaves, winner of the 2024 Rane Arroyo Chapbook Series, Seven Kitchens Press; and Blue Memento, from Lily Poetry Review Books. Additional information can be found at robertcarr.org
Wilson was a medical-surgical and generalist photographer, writer, and communication specialist in the health care and library science fields for 36 years – cut steel in a foundry and drove a truck for a time. “I’m interested in the artfulness of those things that make up the region where I’ve lived all my life,” Wilson said. “My photographs are little portraits of central Illinois. I seek out the time-worn, curious, and funky, exploring rural communities and urban neighborhoods for reminders of humanness, culture, and community.” He is a graduate of the University of Illinois, a juried Illinois Artisan for Photography, and a member of the Peoria Art Guild. stephencurtiswilson.com.
Pam Martin is a retired therapist who enjoys reading, writing, photography, and walking in the woods with Papi, the elderly rescue chihuahua. She and her husband retired to Deep River, Ontario, having fallen in love with the area years ago due to the pine trees and the best-grilled cheese sandwich ever. Pam was born in Ottawa but spent most of her adult life in Prince Edward Island, working for a few years in Northern Saskatchewan. After being in La Ronge, SK, she doesn’t understand why anyone would travel anywhere but north! Her favorite thing about living in Deep River is the abundance of trails – water, rocks, trees, plants, mosses, and lichens, a world of glory for the walker and photographer, as are the early mornings with the mist rising off the river.
When Michael Hower began digital photography over ten years ago, it was founded upon a fascination with abandoned buildings and landscapes. His work focuses on historical themes, portraying human objects/structures in modified environments now devoid of human activity, with a particular interest in places of industry, prisons, and graffiti. The work conveys themes of wear, deterioration, and nature’s reclamation of manmade environments. Recently, he has started exploring sculptural spaces using photography to challenge himself further. The first foray into this space was his Cabinet of Curiosity jars, or as he refers to them, “Specimen Jars” of “Sadie” and “Graffiti Mask.” Additionally, Mike started experimenting with altered books, allowing him to explore similar themes tactile and multi-dimensionally.
Aiden Kwon is a sophomore at Yongsan International School of Seoul. Aiden is a student who believes creativity is the key to life. He, therefore, shows interest in art, where he can create and draw his ideas. Creativity crosses Aiden’s eyes every second, with random yet brilliant ideas or a scene coming to his mind. Different colors and shapes for him are the key to the entrance of his creative ideas. His endless adventure of improvements and findings highlights his creativity every day.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
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