Cremation

A black drape flutters

before my face or is it

a heavy veil of smoke

 

while offering prayer

for a friend

following a cremation.

 

Let the dark pall shield my eyes

dim my mind from knowing the process

of immolating a beloved soul, flesh, bones.

 

While Jewish law forbids cremation

I ask further how a family rights this

course after the holocaust,

 

after human beings delivered

such a means of death.

 

Nancy Smiler Levinson

Nancy Smiler Levinson is author of MOMENTS OF DAWN: A Poetic Memoir of Love & Family; Affliction & Affirmation, as well as numerous stories, and poetry that have appeared in publications such as Confrontation, Phantasmagoria, Poetica, Touch: The Journal of Healing, Survivor’s Review, Blood and Thunder, and Drunk Monkeys. A CNF piece was a Pushcart nominee in 2015. Nancy lives in Los Angeles.

 

Second Opinions (after the visit)

Doctor’s words
swam around
her head
like moths,

and for a minute she couldn’t breathe. Leaving the cracker-white medical arts building she drove directly to the fast, cold river and dove in. There, standing in waist deep water she reached down to the stony bottom and began flipping rocks. Within ten minutes she had collected a handful of squirming, segmented hellgrammites. At home, in their Pepsi bottle aquarium, the invertebrates rested on a high shelf in the kitchen. Night after night she fed them from new recipes, as she worked her way through The Joy Of Cooking. In the background music played, never the same song twice. Later, she burned her clothes in a cardboard box alongside pictures of old friends and a once-upon-a-time husband. It surprised sales people when she arrived at a store in an old bathrobe and left in a new one. All the while, inside her, the benign tumor sat silently.

 

Travis Dolence

Travis Dolence is a librarian at Minnesota State University Moorhead. His work has appeared in The MacGuffin and the chapbook The Lyrical Librarian: Verses from the Stacks, published by Consortium.

They Were Jumping

They were

 

j u m p i n g

 

rope

double dutch

they called it.

two skinny

black girls

 

with legs the

size of

toothpicks

 

and mouths

that could be

heard from one end

of the block

to the other

 

and I wondered

 

What it would be

like

to have

a sister.

 

Karamo Muchuri Sulieman

At age 61, I am a mature African American poet who has written several hundred poems and published at least 100 of them. I received Honorable Mention in the 1999 Mellen Poetry Contest, for a 100+ page poem entitled Black Roses. I have also published in numerous magazines; journals and anthologies; among them San Fernando Poetry Journal; International Society of Poets; American Academy of Poets; Noble House Poetry collections and others. I also have one published work entitled Seasons.

 

After the War

The night was yellow. A city of light bulbs, ready to blow out. At the top, the Ferris wheel stopped sharply with a rust-covered clank heard across the park, and a woman screamed. Couples held hands a little tighter. A white-bearded man with missing teeth said it was the end of the world.

 

Meredith Boe

Meredith Boe is a writer and editor residing in Chicago. Her fiction and nonfiction has appeared in Midwestern Gothic and Mud Season Review, among others. Her critique has appeared in World Literature Today, Chicago Book Review, and Chicago Stage Standard. She sometimes writes poems on a typewriter at events around Chicago with the poetry-on-demand group, Poems While You Wait.

The Thud of Escapement

It comes to me in the watch museum.

It’s weights, hammers and gears.

Action, reaction.

The thud of an escapement.

The dominoes of a story.

 

I stand inside a pocketwatch

and lose myself to inevitable design.

 

A plan well engineered

leaves nothing to emotion but the joy

of cog after cog, falling in track,

ticking toward the unalarmed achievement

 

of another hour struck. Zen empty time.

 

Our story is like a watch,

weights, hammers, gears.

Little gears for instant gratification,

Huge gears that circle in years with minute changes.

 

And I know that your actions are reactions,

along a path which matters like another hour struck.

Nothing personal.

 

Wren Tuatha

Wren Tuatha’s poetry has appeared in The Baltimore Review, Pirene’s Fountain, Loch Raven Review, Clover a Literary Rag, Driftwood Press, Five 2 One Magazine, Autumn Sky Poetry Daily, Digges’ Choice, and the anthology Grease and Tears. Wren and her partner, author/activist C.T. Lawrence Butler, herd goats on a mountain in California.

You Can’t Go Home Again

1

Returning to their home town after 25 years

was surreal. They got lost trying to get to

the high school. The ice cream stand they worked in

was now a dry cleaners, while Old Smith’s Farm

was gone altogether.

 

2

Looking at the photos posted by George

the old swimming hole back home is now a fancy

water park with diving platforms and a wave pool

and roller coaster slides such a blight on that old

small town charm and I think I’m going to cry.

 

3

Contrasting today’s summer of yardwork

house repairs, car troubles and no money

with his youthful summers of dating, swimming

ice cream stands and summer stock theatre makes him sad

with longing and knowing you can never go home again.

 

Michael Estabrook

Michael Estabrook is retired. No more useless meetings under florescent lights in stuffy windowless rooms, able instead to focus on making better poems when he’s not, of course, endeavoring to satisfy his wife’s legendary Honey-Do List.